Introducing the latest episode of Ernie Ball Music Man’s Inspired By series, “Rubik’s Cube” featuring Jason Richardson. Journey through this film as it highlights Jason Richardson’s heavy-metal background and how his first Ernie Ball Music Man Majesty guitar from John Petrucci’s signature collection changed his life. Learn about Jason’s unique creative process as he channels the Majesty guitar and new-age technology to develop his craft. Continuously expanding his talent in the metal rock space, drawing more and more fans with his incredible ability to play exceptionally fast and heavy.

It’s like a puzzle, it’s a challenge, it’s something I’m always striving to do faster and better. I’ve never really thought that in depth about it. I just like playing guitar.. it’s like a Rubik’s cube.

I didn’t realize it at the time when I wanted to get my first Music Man. I just wanted it because it was John’s guitar when I was 12-13 years old. I had no clue that I was investing in buying one of the best guitar models ever made.

The Monarchy Majesty

Jason Richardson plays with the custom Buckeye Burl Ernie Ball Music Man Monarchy Majesty guitar. Learn more here.

 

Find your own Ernie Ball Music Man Monarchy Majesty guitar on our website here. The Monarchy Majesty is one of the most coveted instruments in the world. Constructed with a through-neck design of mahogany and flame maple top and available in rich translucent finishes below:

Ball Family Reserve KOA Burst

Royal Red

Majestic Purple

 

Black Knight

 

Imperial Blue

 

Tour Dates

Check out Jason Richardson on tour. His upcoming tour schedule and ticket availability is listed here.

April 17th – Shakas Live – Virgina Beach, VA

April 18th – Canal Club – Richmond, VA

April 19th – Dingbatz – Clifton, NJ

April 20th – The Kingsland – Brooklyn, NY

April 21st – Palladium – Worcester, MA

Share this Post

One Comment

  1. After the album has firmly reminded you of Foley’s guitar prowess, “If I Have Forsaken You” arrives to showcase her heart-stabbing’ torch singer vocals amid the swell of horns and those thick B3 tones. One of the many benefits of a bit o’ age and experience is a certain amount of fearlessness, and you can hear it in her swaggering interpretation of Bessie Smith’s 1927 “Send Me to the ‘Lectric Chair” both vocally and in her guitar trade-offs with Derek O’Brien.

Comments are closed.